Art

Art, Nature & Soul #5

I created this piece in 1997 and it has hung in my home since then. It still intrigues, holds my attention and seems to be telling, conveying a truth, of my own inner mystery. While I took many art classes growing up, I found myself constantly experimenting with the various mediums and had not sought or received much formal training. However, when I was younger, in my teens & 20s, I had it in my head to become a portrait painter and found myself taking a Rembrandt style painting class at the S.A.I.C. The palette was limited, was a great learning experience, with a fabulous teacher, as a plus, a Goya Exhibit was going on and I loved the history/story telling nature of his work. 

Soon after, I created this piece. Often times if an artist changes style to style to rapidly its thought they do not know who they are as an artist.   The fact is, that is, my truth is,  that a duality exists in myself and I'm simply not inclined or compelled to destroy it in the name of image. In other words, in the words of Donnie and Marie, "I'm a little bit country and a little bit rock n' roll." (obscure reference #1) While over the years I have refined my vision, I will always continue to experiment and be surprised when they go well.

This is a mixed media piece, that many persons have wanted to acquire, but I simply can't part with it, at any price. (Well, we'll see. Ha!) The many, many layers and various mediums create a field of depth and color shift that's uncanny. Depending on the type of light and it's intensity the painting actually changes from cool to warm and not all at once or as a constant. but as a growing evolving entity in its luminosity. Years ago it inspired this thought,~

    "Art, like the night sky, whether abstract or representational, invites us to imagine, participate and create stories. As we view and gaze endlessly, subtle changes in our perception and vision transforms what we see, at the speed of light, in our minds eye."

~Richard Sperry 

'Infinity & Chaos' 1997,  48"x36" mixed media on canvas.

 

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Art, Nature & Soul #3

I often find myself in the unique position of receiving a relatively objective critique of my work, unbeknowst to the viewer and critic. Sometimes that can be quite harsh given peoples diverse taste and appreciation for art. Even so I try to take something constructive away from that too. Most of the time though the overall take home is positive. There is much turmoil in the lives of people, including myself and so I strive to find those moments of quiet reflection. This work, has been in a group show on flight, a solo exhibit of my artwork and has been hanging rather prominently  on the walls of Proud Fox Gallery & Frame Shop over this summer. 

Some of the things I've heard are, 'How peaceful', 'Serene', 'Less is more',  'Nice approaching feeling on those birds. All due to knowing what drawing and paint can do in the eye.', 'This should have been the piece awarded', and 'How subtle' to name a few. Trust me I get my fair share of, 'My child could do that', 'I don't get it' and I think to myself, awesome buy your child some art supplies, sign them up for art classes and please get out to an art museum, but thats another story, for another time.

Sublties are something that has taken me along time to grow into. It's very easy to to throw color around, overstate with your brush and beat people over the head with the message and theme of your work. After many years of experimenting and studying, I'm currently using a more multi media approach to layer paint, build those ideas, and leave the bold for the finale and exclamation point. Please enjoy and always feel free to comment on my work.  

SOLD 'Meditations on Flight' 36"x36" oil over acrylic on canvas

 

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Art, Nature & Soul #2

A most unsual piece for me to do, but inspiration just happens and I went with it. We had just arrived in New Bedford, Massachusetts, on the fringe of Cape Cod. I've been on a mission to learn about the plight of the endangered species of whales, especially those along the eastern coast of the U.S.A. It seemed to me, a good place to start was the New Bedford Whaling Museum. To uderstand why they are endangered, I wanted to understand what happened to bring this many leviathans of the sea, to the brink of extinction. Upon our arrival and parking, we noticed a church. It looked familar and turned out to be Seaman's Bethel. The same church that appears in 1956 film, 'Moby Dick', where Orson Welles gives his most famous surmon on the Jonah and the Whale. On to the museum, which was an indepth, and not just a study of whaleing but, the nature of whales. It turned out New Bedford Whaling was the largest industry at the time and was lighting the world, at a great cost, the near obliteration of several species of whale. Thankfully the discovery of our ability to harness electric and edison's light bulb, put an abrupt end to the whaleing industry, just in time.  This turned out to be one of the most fascinating museums I'd ever been to. Standing outside on the balcony of the museum, I beheld this panoramic view of the town and Buzzards Bay. It brought me back to another time, another place, with great awe and wonderment. 

 'Buzzards Bay', 24"x20", oil on canvas.  

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